We can see in SPAN that the percussive loop and the kick have the most in common frequency content wise at around 100Hz. But what if you wanted to keep that low-end information in there to maintain the weight of the percussion, and weren’t too worried about having a big beefy bass line down there? Well, in that case you could use sidechain compression, and, if you were feeling particularly saucy, you could tune the EQ on the sidechain to be focused around just the area where most frequency clash occurred to let the percussion breath as much as possible. It’d be a breeze to simple high-pass out everything below, say, 200Hz and the mix would sound a fair bit clearer. Checking it in the excellent free Voxengo SPAN spectral analyser – which you can download from – we can see that there is indeed a bunch of information in the sub-100Hz range. We can hear from the off it’s got a fair bit of weight in the low-end. Select AET_Perc_21_124 and put it on an audio track. We’re going to be using Afro Ethnic Deep Tech by 5Pin Media for this, which is available for free in Loopcloud’s 30-day trial. In this tribal house tutorial we’ll look at how to make tech house grooves, demonstrating how to effectively use tribal tech house samples. Tribal tech house combines familiar tech house samples with percussive tribal tech house loops to create a rolling tech house groove. Access 3.5 million sounds w/ Loopcloud Free Trial |
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